The Happy Princess and Other tales is slightly different from the other novels I’ve chosen to regender. Most obviously it’s a collection of short stories rather than a novel. While these also provide interesting results from the regendering, the main reason it was chosen was due to its author, Oscar Wilde.

While my focus for regendering novels has been the gender imbalances, I’m also conscious of how little representation minorities and other marginalised segments of the population receive. Which is why I think Wilde makes a good choice to have his work regendered.

Despite his skill with words, and his obvious wit, Wilde was persecuted and eventually imprisoned for his sexuality. This is something still occurring in many parts of the world today, and even in western cultures there remains plenty of discrimination against homosexuals.

The regendering itself revealed mostly challenges to gender roles. A few of the stories continued the stereotype of girls being superficial and being more concerned with pretty dresses or flowers. It was interesting to see this reversed after the regendering, a situation I think is far more common these days. Then there’s the case of the Devoted Friend, which suggests that such toxic friendships are not limited to either gender.

All in all, it was interesting to regender a collection of short stories and quite a different experience to a full novel. I’ll certainly keep it in mind as an option for future possible regenders. As for Oscar Wilde, expect to see a regender of his more famous work, The Importance of Being Earnest, sometime in the future!

Around the World in Eighty Days has probably been the most enjoyable novel for me to regender so far. While still a classic piece of literature, like all the others, at its heart it is still an adventure tale.

While the main protagonist is English, there was a number of major foreign characters, with matching names and vocabularies. For the most part, these were fairly straight forward to regender but some, like Fogg’s companion, Jeanne Passepartout, caused me some consternation. One of the guidelines I’d set for regendering was to keep names the same whenever they were used for both genders. This didn’t quite work out in this case since, while Jean works as a female name in English, the original male character’s name is French. I decided I needed to bend the guideline a little and change the name to Jeanne, the French female version of Jean.

One of the more interesting effects of the regendered novel was the transformation of Aouda into a ‘bachelor in distress’. That phrase itself doesn’t quite regender from ‘damsel in distress’, but the effect is the same. Aouda remains the same passive, secondary character that women are generally relegated to in most forms of narrative. Seeing a male character put into that role, and subservient to the proactive female characters, felt quite jarring at times, which is exactly the effect I’m trying to achieve with the Regender Project.

Speaking of Aouda, he’s the subject of another section I had particular difficulty with. In the original text, Aodua is female and is described by comparing her to a famous passage that describes a queen. After regendering her, this no longer makes as much sense since the now male character is being compared to a beautiful, historical queen. Since the passage is a historical piece of work, it also didn’t fit my own guidelines to regender the queen into a king. After much back and forth, I decided that having the male Aouda compared to the female queen was the best option to use, though it doesn’t quite flow as well as I’d like.

Finally, I should also mention the cover. As most of you are probably aware by now, Philomena Fogg’s trip around the world doesn’t involve a balloon at all. It’s briefly considered as an option but she quickly dismisses the idea. Yet the balloon has become intricately associated as a symbol for the story ever since the 1956 movie. Even knowing how false it was, I had the image stuck in my mind from the moment I chose the novel for regendering and just couldn’t shake it when it came time to create the cover.

A Study in Scarlet was the first novel I chose to regender, and as such is probably a little rougher in the methods I used to do it. What appealed to be about this novel was how iconic the central character is, with Sherlock appearing in dozens, if not hundreds, of various adaptations. Even with all the small changes arising from different interpretations, we’re so used to seeing Sherlock portrayed in a certain way, and almost always male, that I felt it was the perfect way to showcase what I was trying to achieve with the Regender Project.

Similarly, the transformation of Victorian era London from a patriarchal society, where men held all the positions of authority and importance, to a more matriarchal one was just as enlightening.
The biggest transformation was in the second half of the novel, set amongst a Mormon community. Suddenly, it was women who kept a brood of husbands, along with having their choice of which ones to add. It also created a challenge in how I would regender historical characters within a story. One of the guidelines I decided to use was leaving historical figured unchanged, so as not to create an alternate version of history. I hadn’t thought about what to do with historical figures who appeared as characters, as Bringham Young does in this novel. While it might have been interesting to present him as having multiple husbands as well, that didn’t quite fit with what I was trying to do with regendering. Fortunately, there weren’t any references to his wives in the novel, which would become husbands after regendering, so I was able to leave his character male without creating too much of a disconnect. It does present an interesting situation where, within my regendered version of the novel, he’s helped found a society that’s effectively ruled and controlled by women. While not precisely the scenario I am trying to create, it provides just as much thought and discussion on the issue.

Overall, I found regendering A Study in Scarlet to be even more fascinating than I thought it’d be. So much so, I’ll probably regender more Sherlock Holmes stories in the future.